Jigsaw Puzzles are an ideal gift for any occasion Poster prints are produced on Vibrant Poster Paper resulting in timeless and breath-taking posters which are also ideal for framingĬontemporary Framed and Mounted Prints - Professionally Made and Ready to Hang Photo prints are produced on Vibrant Archival Photo Paper resulting in timeless and breath-taking prints which are also ideal for framing Our standard Photo Prints (ideal for framing) are sent same or next working day, with most other items shipped a few days later. Zoomed Pictures can be adjusted in the Basket. * Options may vary by product and licensing agreement. We happily accept a wide range of payment options so you can pay for the things you need in the way that is most convenient for you We are proud to offer a range of customisation features including Personalised Captions, Color Filters and Picture Zoom Tools SAFE SHIPPING - 30 DAY MONEY BACK GUARANTEE It serves as a reminder of our shared human history and continues to inspire awe for centuries-old masterpieces like "The raising of Lazarus. As we gaze upon this image, we are transported back in time, immersed in an era where faith and art intertwined seamlessly. Through her lens, we can admire not only the technical mastery but also feel connected to the spiritual essence that emanates from within it. Luisa Ricciarini's expertly captured photograph allows viewers to appreciate the beauty and significance of this historic artwork. This fresco serves as a testament to both religious devotion and artistic excellence during the Middle Ages. The aureole surrounding Jesus adds a divine touch to the painting, emphasizing his holy power as he performs this extraordinary act. The vibrant colors and intricate composition bring to life the miraculous moment when Jesus raises Lazarus from his tomb. Giovanni da Milano's skillful brushwork and attention to detail are evident in every stroke of this trecento artwork. Located in the Santa Croce Church, Florence, Italy, this masterpiece depicts the biblical scene of Lazarus being resurrected from death. This print showcases "The raising of Lazarus, " a remarkable fresco painted by Giovanni da Milano in 1365. LRI4572514 The raising of Lazarus (Fresco, 1365) by Giovanni da Milano (fl.1350-70) Santa Croce, Florence, Italy (add.info.: The Resurrection of Lazarus (The raising of Lazarus) Fresco by Giovanni da Milano (active circa 1346-1369) 1365 Florence, Church of Santa Croce, Cappella Rinuccini) Luisa Ricciarini Italian, out of copyright The pilasters on the left have saints Francis and Anthony, on the right are saints Louis of Toulouse and Andrew of Anagni.Favorite The raising of Lazarus (Fresco, 1365) In the jamb of the entrance arch there are half-length figures of the twelve apostles. The main decoration of the vault consists of trefoils with half-length figures of the prophets Isaiah, Jeremiah, Ezekiel, and Daniel, and a tondo surrounded by a halo with a bust of Christ blessing painted on wood. The scenes on the walls can be considered as variants of the cycles in the Baroncelli Chapel in the Santa Croce (by Taddeo Gaddi) and in the Magdalene Chapel in the Lower Church of the San Francesco in Assisi (by Giotto's circle). The south wall has the Feast in the House of Simon the Pharisee, Christ in the House of Mary and Martha, the Raising of Lazarus, Noli me tangere, and the Recovery of the Child and the Raising of the Wife of the Ruler of Marseilles through the Intercession of the Saint. The north wall, starting from the top, has the Expulsion of Joachim from the Temple, Joachim's Dream and the Meeting of Joachim and Anne at the Golden Gate as well as the Birth of the Virgin, the Presentation of the Virgin, and the Marriage of the Virgin. The pictorial program takes this double dedication into account. The Rinuccini Chapel is dedicated to the birth of the Virgin and to St Mary Magdalen. This later phase of the decoration included the two lower scenes on the north and south walls. However, Giovanni broke off work on the frescoes prematurely, and they were completed only around 1370-71. However, documents in 1365 related to the payments for the frescoes prove that the painter was Giovanni da Milano, a Lombard painter active in Florence. Vasari incorrectly identified the artist as Taddeo Gaddi. The decoration of the chapel was commissioned some twenty years earlier by Lapo di Lizio Guidalotti. It belonged originally to the Guidalotti family, the The Rinuccini became the patron of the chapel in about 1371. The Rinuccini Chapel adjoins the sacristy of Santa Croce to the east.
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